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Bronze Age warrior’s tomb discovered in southwestern Greece

UC team discovers rare warrior tomb filled with bronze age wealth and weapons
An international team of archaeologists led by University of Cincinnati researchers recently discovered a Bronze Age warrior’s tomb in southwestern Greece filled with more than 1,400 objects: jewels, weapons and armor, as well as bronze, silver and gold vessels.

On the floor of the grave lay the skeleton of an adult male, stretched out on his back. Weapons lay to his left, and jewelry to his right.

Near the head and chest was a bronze sword, its ivory hilt covered in gold. A gold-hilted dagger lay beneath it. Still more weapons were found by the man’s legs and feet.

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Curated by Mark Godfrey

Opening 22 October, 2015, 7-9.30pm | Curator Talk 8pm 22 October, 2015 – April 2016

Dan Flavin | Isa Genzken | Robert Gober | Roni Horn | Rashid Johnson | Donald Judd | Agnes Martin | John McCracken | Nikolai Mikhailovich Suetin

The George Economou Collection is pleased to announce Opening the Box: Unpacking Minimalism. This group exhibition curated by Mark Godfrey, opens on Thursday, October 22, 2015, at the Economou Collection Space in Athens, Greece.

When people think of Minimalism, they often think of a generic grey metal box that has been fabricated in a workshop in the United States and is displayed with other similar if not identical boxes. Although this box often features in accounts of Minimalism, it is a mythical, rather than a real artwork. This exhibition of ten works from the George Economou Collection attempts to tell a more nuanced story about Minimalism by looking at a number of different debates, places and time periods.

On the ground floor, three works surround a magnificent 1978 brushed aluminium “channel” piece by Donald Judd comprised of six open modular units, an early relief of Judd’s from 1961, a 1966 paintingbyAgnesMartinanda 1988plankbyJohnMcCracken.Thisensemblealreadyraisesseveral intriguing questions: given the compositional ideas Judd’s work shares with Agnes Martin’s, was he mistaken in so often dismissing painting? And how did John McCracken negotiate the relationship of painting and sculpture when he leaned his works between the wall and the floor? What role did colour play for Judd and McCracken, and how did they approach the difference between applied and integral colour? What differentiates these two artists’ handling of texture and reflectivity?

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“Το σώμα στο φυσικό και ψυχικό χώρο” Performances: Φοιτητών και Αποφοίτων ΑΣΚΤ

Α’ Γ’ Ε’ Εργαστήρια Ζωγραφικής ΑΣΚΤ
“Το σώμα στο φυσικό και ψυχικό χώρο”
Performances: Φοιτητών και Αποφοίτων ΑΣΚΤ
15 – 17 Οκτωβρίου, 2015

Ώρα: 19:00 (ακολουθεί συζήτηση με τους καλλιτέχνες)
Επιμέλεια Αιμιλία Μπουρίτη

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The Shadow of the Avant-garde, Rousseau and Forgotten Masters

The Shadow of the Avant-garde, Rousseau and Forgotten Masters / Museum Folkwang

Oct.2, 2015 – January 10, 2016

A shadow accompanies every 20th-century Avant-Garde Art Movement. Self-taught artists are what make up this shadow.*

They are painters, sculptors, and photographers with neither academic training nor access to both traditional and newly emerging channels of dissemination for their works. But their works match those by the best artists of the 20th century in artistry, aesthetic richness, immediacy, and intensity. These relative unknowns, in fact, often became an important source of inspiration for many of their famous counterparts, who gave them recognition and sometimes encouragement. The exhibition presents thirteen of these self-taught artists and a brief retrospective of their major works, which as a whole represent a kaleidoscope of widely different forms of artistic creativity.

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Dismaland Calais

Dismaland to be taken down and sent to Calais to build shelters

Work to take down Dismaland begins on Monday and the elusive street artist said all the timber and fixtures from the ‘bemusement park’ would be sent to the Jungle camp. An estimated 5,000 people displaced from countries including Syria, Libya and Eritrea are believed to be camped in and around the French port.

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24.10.2015 ΜΟΥΣΕΙΟ ΜΠΕΝΑΚΗ ΠΕΙΡΑΙΩΣ 138 10:30-20:00

Πώς προσλαμβάνονται τα έργα μεγάλων αρχιτεκτόνων, όπως του Gerrit Rietveld, του Mies van der Rohe, του Álvaro Siza, του Toyo Ito και του Τάκη Ζενέτου από την νέα γενιά Ελλήνων αρχιτεκτόνων; 45 Έλληνες αρχιτέκτονες κάτω των 45 χρόνων, παρουσιάζουν έργα από όλο τον κόσμο, από το 1915 μέχρι σήμερα, που αποτέλεσαν πηγή έμπνευσης και αφετηρία δικής τους δημιουργίας. Continue reading …


“The Marathon”, epitelesis – Performance Art Foundation

“The Marathon” – Series of live performances by epitelesis – Performance Art Foundation

Υπό το τίτλο “The Marathon”, ο οργανισμός epitelesis – Performance Art Foundation παρουσιάζει τη σειρά ζωντανών επιτελέσεων (performances) το Σάββατο 19 Σεπτεμβρίου – 18:00 με 22:00 στους χώρους του Booze Cooperativa, με ελεύθερη είσοδο. Ως αποτέλεσμα του ομώνυμου εκπαιδευτικού εργαστηρίου και με τη καθοδήγηση της εικαστικού Dagmar I. Glausnitzer Smith και του καλλιτεχνικού διδύμου Zeirle & Carter, με βάση τη Γερμανία και το Ηνωμένο Βασίλειο, καθώς και των προσκεκλημένων δασκάλων Αντρέα Πασιά και Francesco Kiàis, οι συμμετέχοντες έχουν ως σημείο έναρξης του ‘μαραθώνιού’ τους το κέντρο της Αθήνας, καθώς επιλέχθηκαν μέσω ανοιχτού καλέσματος από Ελλάδα, Κύπρο και χώρες του εξωτερικού.

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Curated by_Vienna 2015 / Tomorrow-Today

Curated by_Vienna 2015/Tomorrow, Today

International curators present exhibitions in Vienna’s leading contemporary art galleries.

Art and capital

Curated by_vienna was initiated by the Vienna Business Agency’s creative unit, departure, in 2009 to support systematic cooperation between Viennese contemporary art galleries and international curators. Vienna boasts a vibrant contemporary art scene as a European metropolis at the crossroads between North and South, East and West, tradition and innovation. In addition to its world-class museums and non-profit organizations, there are numerous excellent galleries that have earned an international reputation through cutting-edge programmes.

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The Power of Pictures: Early Soviet Photography, Early Soviet Film

The Power of Pictures: Early Soviet Photography, Early Soviet Film
September 25, 2015 – February 7, 2016

The Jewish Museum

Alexander Rodchenko, Stairs, 1929–30. Gelatin silver print, 7 1/2 × 11 1/2 in. (19.1 × 29.2 cm). Sepherot Foundation, Vaduz, Liechtenstein.
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From early vanguard constructivist works by Alexander Rodchenko and El Lissitzky, to the modernist images of Arkady Shaikhet and Max Penson, Soviet photographers played a pivotal role in the history of photography. Covering the period from the 1917 Bolshevik Revolution through the 1930s, this exhibition explores how early modernist photography influenced a new Soviet style while energizing and expanding the nature of the medium — and how photography, film, and poster art were later harnessed to disseminate Communist ideology. The Power of Pictures revisits this moment in history when artists acted as engines of social change and radical political engagement, so that art and politics went hand in hand.

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